Tag Archives: living

the era at hand

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At about a hundred miles an hour it came crashing into my chest this morning, moving up quickly to my throat where it stole my breath and then my eyes which began to pour. In the wind, behind sunglasses and under one of my grandfather’s many straw fishing hats, I was skimming quickly to our next drop in spot with three buddies as the sun was coming up over the gulf where we’ve been staying these last few days. The boat’s captain letting us know how far in to drop and what was likely on our line before it ever came into site was scouting out our next most likely location.

The four-word refrain came to mind. I followed it just under my breath to see what song it was connected to, and then, the crashing. First chest. Then throat. Then eyes.

sad fruitful broken true
sad fruitful broken true

I didn’t realize until this morning out there on the dramamine-calmed water that this is the first trip to the beach I’ve been on since losing both grandparents who taught me to love traveling here, feeding the birds, chasing the fish, eating out, cooking in, and laughing hard. As time passed, so did their health, but the beach would still happen. Moves from porch to den to restaurant  became slower and slower, but each still an important move worth taking the time to make.

This morning, out there on the water, still burning by the sun under his straw fishing hat, I realized that it has been the years and years of family and storytelling and value-passing that makes me fight, over and beyond fighting for meaningful work and meaningful impact, for meaningful friendship and meaningful experiences. To see and to feel and to taste the holiness in clinking glasses in my own home or half a world away. To honor and to savor the time spent with and the time spent where.

And in the hurricane of memories that stormed perfectly over and into me this morning, I was at once overwhelmingly grateful and overwhelmingly heartbroken. To have the privilege of three decades filled with enough love and honor and legacy to miss so deeply all at once left me exceedingly grateful and sad. The era of those kinds of gifts has passed. Forever. It’s almost too much to take in.

There is, however, the era at hand. It is in these days, then, that reveal the ways in which I choose to remember all these good things that have in no way been withheld from me. It is in this era that I will either wake up before the sun and meet my buddies to fish deep in the ocean, or I will only mourn the loss of the days that have already passed. To truly mourn, to truly grieve and to truly honor all that is lost must, in the truest of ways, involve making deep and rich meaning of all that is ahead.

And must acknowledge the ripe and possible realities of the present moment. Crashing in and all.

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The words I found after chasing the refrain are from the Sara Groves’ song This House are listed below:

it took me by surprise
this old house and these old feelings
walked round and looked inside
familiar walls and halls and ceilings

where I’d dream and plan
every moment of sunshine
this was my whole world
it was all I knew
like the hull of a seed
this old house cracked wide open
as I grew

hadn’t given it much thought
hadn’t been back here for a while
everything looks so small
seen through the memories of a child

who would dream and stare
from that second story window
that was my whole world
it was all I knew
like the hull the of a seed
this old house cracked wide open
and I flew

sad fruitful broken true
sad fruitful broken true

memories for miles and miles
summers falls winters and springs
Ruby you take it in
see he’s withheld no good thing

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djordan
723 Whiskey Bravo
Seagrove Beach, FL

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the funeral laugh

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You know it.

And please.
Don’t act like you don’t know it.

Don’t act like you don’t know what the funeral laugh is. If you pretend that you don’t know it, I’ll know you’re lying and that’s an entirely different thing to address. We’re together here, you and me.

We all know what the funeral laugh is.
And we’re all guilty.

That inappropriate laugh in the moment where we are faced with the reality that the clock stops ticking one day. The clock stops ticking and the reality rushes in that we are more time-limited than we are prepared to admit. And we don’t know why things happen the way they do, why pain and progress get shaped and honored and forgotten the way they do; why pain lasts and hope lasts; why the possibility of something different for the future can operate with larger and stronger and broader strength than the reality of the way things have been in the past.

That completely inappropriate laugh that surprised us as much as anyone who heard it before we muffled it with a cough or choke or some other lame cover.

We can pretend as though we are wired for money or wired for sex or wired for love or wired for prestige.
But we can’t pretend for long.
Because once we catch anything we chase,
it sheds its skin
and we realize that we are naked and selfish,
insecure,
hopeful,
and powerless in more ways we care to consider.

And that’s when in stings.
It’s gonna be the funeral laugh or the funeral wail. One is coming out and we can’t help it.
We are at the funeral. We know that the person in the casket is highlighted by a story that now has defined lines of what was and wasn’t accomplished.
And we are terrified.
And rightly so, because we are afraid of what the present reality means for us when we shove it up against the reality of the future.

But, it’s that laugh that comes out. And in the same way it’s poorly timed and poorly placed, it’s also unexpected and sends a surge to the abdomen which sends a surge to the brain. And the surges remind us that we are, today, in this moment, alive. And we are alive in a place that is filled with people on the edge of laughter or tears, people ourselves included, who are still making the little choices one after another because our clock is still ticking. Our story still has options.

So we remember our inside jokes and laughs.
So we send cards to the mailbox with stamps and seals that say thanks again for everything.
So we let the other person in front of us in traffic, in line, in thought.
So we pause and raise a glass to make a toast that’s more a prayer than the blessing would have been.
So we make a decision to risk admitting we are powerless and hope that something rises to catch us.
So we wear party hats when making grown-up decisions that aren’t fun because we are alive and here to make them.

So we decide to choose the laugh at that inappropriate time that’s marked by real and gritty silence and seriousness. We know that we will wail again in a moment, and we know that both are actually fine.

But right this second, we choose the laugh. And then it won’t stop. We can’t stop it.

At this funeral, in this thin space where we are asked again that huge question about what it means to move forward in the world we will stop moving in, for a time, one day, we choose the funeral laugh. Because we can. And because we must.

djordan
Pine Tree

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I am alive.

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I’m not sure if it comes from my stomach, or maybe from my lungs, or if it actually originates in my throat itself. The language, though, is quite apt that it chokes me up suddenly. I may be speaking about something that feels important but only distantly related to me, and I feel it clench in my throat and somehow trigger the possibility of tears. I may be accidentally thinking of visiting someone who is no longer here to visit. I may be caught by surprise remembering rhythms that no longer exist. It may be the newness of new lives, new relationships, new opportunities, new challenges that do it.

Whatever it is, it comes seemingly out of nowhere and reminds me, ultimately, that I am alive.

I am alive.

If it’s singing at volumes and octaves that I would never sing in front of someone else, it’s the reminder of being alive. If it’s weeping suddenly because life is more confusing than anyone ever said it would be, it’s the reminder that I’m alive. If it’s a ten-second gap with a client where something happens and all of both of us comes crashing into a single pregnant and powerful moment and we sit in silence knowing that something beyond us has happened, it’s the reminder that I’m alive. A dance with the dogs. A drive with the windows down. A game with a child. Laughter with friends. Tears in startling places. Thin space with students or friends or clients or coworkers.

We are alive.

There’s the challenge, of course. Even when longing to freeze the moment because it feels like it’s perfect enough and true enough and thick enough to rest in it forever, I can’t because life doesn’t freeze that way. Even when longing to make the moment disappear because it feels like it’s too empty and ugly and sticky and deathly to be worth existing in, I can’t because life doesn’t erase that way.

But in the space between wanting to make something last forever and wanting to make something never have happened at all, I remember that I am alive. And being alive itself is worth savoring and leaning into with all the goodness and all the crap of it, trusting that in leaning into both the goodness and the crap, we lean more into our true selves.

And we are alive.

djordan
Pine Tree

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the life of the party | remembering Mama 2

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The words below are those I had the privilege of sharing at my grandmother’s funeral this morning. To her legacy, and to life in all its fulness.

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“Howdy Do?!”

That’s the greeting that immediately comes to mind when I think about our grandmother. That’s how I remember her greeting others with this classy kind of wave that she taught us all to give…even my brother and me…and a gentle knod of the head.

Howdy Do?!
How wond-ah-ful to see ya.
Mah-ve-lus. Mah-ve-lus.”

You may have known her at Joyce Ann, or Joyce Laycook. We know her as our grandmother, or “Mama 2.” And when we think of southern class, charm, beauty, fashion, humor, celebration and the elegance of a woman of the Old South, we think of Mama 2. I suspect you do too. I suspect that’s part of why you’re here.

We heard stories of her as an only child that made her larger than life, and then, as we continued to grow up as her grandchildren, we watched her live largely into those stories. Our friends watched her live largely into those stories. I suspect you watched her live largely into those stories too.

We remember as children her taking us to the Johnsons’ swimming pool throughout the summer, and especially on the 4th of July. She was, of course, busy working the crowd if there was a party, but she always made time to show us off, make us feel special, and let us know how to be classy, charming, fashionable, and truly southern in the process.

She did love the idea of summer and parties and sun. We spent every summer with Dabo, or our granddad Donald Laycook, and Mama 2 at the beach. She insisted, with her huge and trendy sun hats and brand-new sunglasses on, that we all get “summer names,” or names that we would go by for the week only. Sometimes they were names she perhaps wished we had been given, even her daughters–whom she actually named herself–but still. Summer names. Every trip. I don’t remember my summer names as much as the notion that she was pushing us to live into a kind of wholeness of our imagination and sense of life.

Pick a name for the week. Your summer name. Anything.

It isn’t just summer names that remind us of what she taught us, her grandkids, about living into the fullness of life. We grew up seeing pictures of Mama 2 and Dabo traveling the world with friends and family, and that has pushed all four of us, Katie, Suzanne, James and myself, to do the same. In many ways, she and Dabo have made that both desirable as well as possible. As we grew up, we became the other people in those pictures with them as they traveled, enjoying the food and the scenes of other worlds that made our own worlds bigger and richer and more alive.
You have to travel.
And learn.
And see.
You must. If a week at the beach is worth an entirely new summer name, then life itself must be worth living into fully.

One year at the beach, in between her talking to the birds in what we once thought was a magical language (later learning it was only the effect of pieces of bread thrown in the air at the same time as saying “Click Click Click” which would result in a swarm of seagulls off the deck of the condo), we went shopping as we always did if Mama 2 was around. They were selling henna tattoos in the middle of the shopping plaza. After learning the tattoos were removable after several weeks, she decided to get one as a joke. A rose with “Don” written over it was tattooed high enough on her thigh that it would only be seen while at the beach in her swimsuit. She would not be beaten by Dabo, however, who returned one day from shopping with what we thought was a piercing but turned out to be a magnetic nose ring.

She and Dabo were, at their best, the life of the party with us or with anyone else. While she enjoyed travel for the shopping and Dabo enjoyed it for the food and sights (Dabo used to say that when he and Mama 2 died, he would go to hell and she would go to heaven but it would be okay because they would be together in Pigeon Forge), they could always be found laughing and story-telling anywhere, and living into the fullness of the moment and the reality of the place. Summer names, tattoos, piercings and all.

It wasn’t just trips and travel that this insistence of living was valued. Even in the regular day-to-day rhythm, she got into the practice of calling her granddaughters, Katie and Suzanne, whenever “Dance Party” was on. “Dance Party” is known to most of you as “Dancing with the Stars.” She would call them and talk about the dancers’ outfits, dances, and then whatever else was going on with Katie and Suzanne.

She was a big fan of pop culture. I remember the dilemma once when The Bachelor AND The Victoria Secret Fashion Show was on AT THE SAME TIME! “Horrah…” as Mama 2 would say. But don’t worry. She tuned into one on the TV in her bedroom and tuned into the other on the TV in the den. She wouldn’t let the TV networks’ faux pas be her problem. She caught both shows…don’t worry.

I was in Chicago with some of my best and oldest friends these last few days, getting in late just last night as a matter of fact. It was an incredible privilege as we toasted Mama2 with my friends who didn’t need an explanation about who she was. They knew her name and her nickname; they knew her stories and were part of them; they had traveled with her, laughed at her jokes, and learned from her style. They had grown up with her, on the edges of the way we all grew up with her.

At her best, she was the most fashionable, classy, and charming lady around. She would, of course, do a fashion show for us every Sunday after lunch at their house of the newest items she had bought throughout the week (tags and all because many of them would be returned).
At her best, she was the ultimate host, the life of the party. She had songs for at least one phrase per conversation, and would burst into them immediately. On the way to the beach, we would cross the South Carolina state line and she would sing, “Nothing could be finer than to be in Carolina….” As I began traveling to Nicaragua, she started singing, “Oh, Managua, Nicaragua…dah dah dah dah dah dah dah dah.” She didn’t know the word, but that was clearly inconsequential. Even at our granddad’s funeral, she insisted, walker and all, that she be seated at the table during the after-funeral meal with “the Merry Makers” because the day had been sad enough and it was time to laugh.

Today is a horribly sad day as these last several days have been. But, in remembering Mama 2, and even while enjoying a long weekend getaway with incredible friends in downtown Chicago, just about every shop and every meal and every laugh made me think of her and give thanks for the legacy that she leaves us. The legacy that she leaves me.

At so many lovely dinners at their house, she would sit on one side of the dining room table and Dabo would sit on the other. Mama 2 would start a joke, but then she would start laughing so hard just remembering how funny she thought the joke was, she usually never got to the punch-line. It it didn’t matter, of course, because we were all laughing with tears in our eyes at her laughing by that time.

So today, even in its sadness, we know that Mama 2, or Joyce Ann, or Joyce…however you knew her…would, at her best, want a party. She would want to be with you, where the Merry Makers were, laughing with you, dancing with you, partying with you, eating a sliver, and another sliver, and then another sliver of cake with you, getting tattoos with you, and living life in all its fullness with you.

So if you intend, as her grandchildren do, to honor her life, go from here to lunch or from here to home, or from here back to work and make it a party.
Make it hilarious.
Make it fashionable.
Make it so fun you start can’t finish the joke for laughing.
Make it old-style southern.
Break into songs and give each other summer names, because, well, why not?!

And know that she wouldn’t have it any other way.

djordan
Pine Tree

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before the day begins and ends

We pass each other like ships in the night.

The most meaningful conversations happen in person, but there’s an ocean in between.

I can point directly back to certain days, times of day, the commons where the walk was, how the sun was, how low the tree limbs were over the sidewalk that brushed my forehead as we walked back home.

I can point directly back to the kitchen counter, the conversation where the truth coming out meant a risk had to be taken, and once taken, the floodgates open. I remember the glasses and the stools and the way I rub my hands through my hair when I can’t think of anything clever or wise or meaningful to say.

And I can point directly back to the table in the restaurant in the airport where the goodbye was looming, and the risk of the sand ticking pushed me through my cowardice to laying out on the table something other than the beer and small talk, but rather laying out the things that had refused to let me go for quite sometime.

But then I got on the plane and flew back across the ocean. Back to work. Back to class. Back to groceries and bills and friends and all the other things we come back to.

Now, like ships in the night, we pass each other. My late-night hour is the twin of his early-morning hour, and across the latitudes we pass usually only a word or two, a prayer or the promise of a prayer. And while the ocean robs two friends of the possibility of walking through that field, sitting on those stools, or leaning over that table, we still know that the other is out there. Moving and knowing. Working and waiting. Watching for signs of the kingdom together.

And we give thanks before the day ends and begins simultaneously.

djordan
Pine Tree

Related Posts | Holy Indeed | The In Between Times

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