Category Archives: art and photography

until we know ourselves

A young boy in KKK robes sees his reflection in a riot shield held by an African-American state trooper. Taken in Gainesville, Ga., in 1992, this photo by Todd Robertson has resurfaced through social media. via Poynter.org Quote by Krista Tippett in Becoming Wise (2016), "...the human condition, in all its mess and glory, remains the ground on which all of our ambitions flourish or crash. The adage that "he who does not know history is doomed to repeat it" doesn't go far enough. History always repeats itself until we honestly and searchingly know ourselves.A young boy in KKK robes sees his reflection in a riot shield held by an African-American state trooper. Taken in Gainesville, Ga., in 1992, this photo by Todd Robertson via Poynter.org

the human condition, in all its mess and glory, remains the ground on which all of our ambitions flourish or crash. The adage that ‘he who does not know history is doomed to repeat it’ doesn’t go far enough. History always repeats itself until we honestly and searchingly know ourselves.

Krista Tippett, from Becoming Wise (2016). New York, NY: Penguin.

 

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we hail what heals

ART-CAN-SURVIVE-QUOTE

Photo: Donald G Jordan, Guggenheim, June 2017
Quote: Gwendolyn Brooks, from “In Montgomery”
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in the instant

Life changes in an instant, An ordinary instant, Joan Didion, Quote, New York Times Magazine, Didion, Most Hopeful, Quotes, Life, Change, Donald Jordan

Life changes in the instant.
The ordinary instant.

Joan Didion

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more than our sorrow

we-are-more-than-our-sorrow
He sat down at the table with me briefly while I ate and he waited on food to go from the cafe. Since he knew of the chaos raging, not much had to be said. I looked up and tried to squint in the way we try to squint when working to hold back tears that we are tired of.

The same way we squint that usually fails when someone knows of the raging chaos.

As tears began to crack and run down the edge of my runny nose, he said, “It’s like a bomb got dropped in the backyard.”

More tears. Nods. Then conversation about weather, salads, and other things neither of us cared about.

I’ve noticed a sense of being caught between surveying the damage and trying to move. The quote housed about my desk that refrains often in my own mind and heart when things seems unbelievably devastating felt a little out of reach at this point. To quote it, even to myself, felt like cheating the grief and confusion and fury and loss that was gripping everything inside of me:

We fill the craters left by the bombs
And once again we sing
And once again we sow
Because life never surrenders. 

– Anonymous Vietnamese poem

I could not imagine myself filling the craters yet, much less singing and sowing because I could not yet fathom or feel the extent of the damage, I could not sense the size of the crater left by the bomb in our backyards. I could only survey the damage. And with every glance, its complexity became deeper and harder to wrap my hands around. I would find myself staring into the crater and disappearing in my thoughts. I was beginning even to have trouble remembering what used to be in it’s place. All I could sense and see was a crater. Impossible to fill.

But somewhere, a sense that we, in community, always fill the craters, kept me from jumping in completely to the loss. Phone calls to friends and mentors. Visits to kitchen counters and living room floors. Weeping and asking and not answering.

And then, somewhere, even while still surveying the damage left by the bombs, something somewhere insists that we are our sorrow, but we are also more than our sorrow. We are also our hopes and dreams and work and errands and children and families and lives and friends and promises of the future. “We are more than our sorrow” Thich Nhat Hanh says, and so we enter into the reality that is the only thing stranger than the reality of the chaos. We enter into the reality that we are all of these things at once, in our humanity, and we must be all of them at once to find a way to move.

And so we move.
Because we are more than our sorrow, even as real as the sorrow may be.

djordan
Michigan Ave, Chicago

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monday morning mash | stunning work and redefining art in life

Over the last week, there were a few different works of art, all different in style, which reminded me again how much I appreciate the diversity of our histories and stories, and therefore our perspectives and needs to narrate. Nothing crazy, just a few works of art I found stunning.

To think of endless concrete barriers as an opportunity to use childhood memories, illusion, and skill to create a shared asphalt gallery…

To photograph happy and loving families who can quickly put everything they own in front of their homes, and to view them with some sense of envy rather than any sense of pity while taking in the photograph…

To catch a glimpse of a world that from one corner is everyday and from another seems like it’s only from a cartoon, reminding that there is so much more that is so very real than we can even begin to imagine.

Good art. Good perspectives. Good stories.

Mashed together for Monday morning. A Monday Morning Mash.

Click the title or image to see the collection. Post your own in the comments.

FLIP BOOK-STYLE HIGHWAY ART

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RURAL CHINA | WITH EVERYTHING THEY OWN

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REAL WORLD LAND FAR, FAR AWAY | GIRL AND BAOBABS

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djordan
Pine Tree Dr.

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all the implications

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This video has been on my brain since I first saw in when it came out a few days ago on February 19.

Yes, it’s about bullying, but it’s about a great deal more.

It’s about the impact of little things.
It’s about our own assumptions under which we bury others.
It’s about how art is redemptive and makes beauty of tragedy.
It’s about shared stories that crash into shared reality after being hidden for so long.
It’s about all the implications of all the things we find ourselves doing, thinking, saying, being,
both horrendously good and remarkably evil.
It’s about the bothness in all of us.
Our Cain and our Abel.
It’s about telling the truth.

This is good. You wont regret the time.

djordan
Summar Dr.

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i dusted the picture frame

I dusted the picture frame that sits on my bathroom counter. I think it has been in the same space four or five years.

I would be lying if I said I have dusted it in the last four or five months. I’m sorry, Mom.

But today I dusted that joker. I cleaned, as in scrubbed, that obnoxious tile in the space between the toilet and the wall. I swiffered the heck out of the space between the bottom of the bed in the guest bedrooom and the floor. I found books, the dog’s collars, and chargers to phones that I’ve long stuffed into the drawers that I have no idea what actually hold.

But for some reason, it was the picture frame in today’s cleaning that stood out to me.

I’ve got a buddy coming in from out of town for the week, and so I found my Sunday evening, usually wrapped up in preparing for work, also cleaning the spaces that have long ago moved off the last-minute-cleaning to-do list.

I picked up the picture frame, long abandoned as jobs and times schedules have shifted, and froze for a moment while wiping the dust off the image.

The last two weeks have been unusually weighed heavily with late-night meetings and early-morning conversations, catch-up schedules and bedtime questions about the worthwhileness of the work itself.

And tonight, in dusting off of photos that sit and are looked at daily on the bathroom counter, I remembered, all over again, of how I am changed, and privileged, by the work.

All is worth it. All is unearned. All is prized.

And all is worth a space in the middle of the daily routine, even the bathroom counter space of the daily routine, as a reminder that the world goes not well, but the kingdom comes.

Thanks to the boys in the picture, David and Kevin, for the voice of the gospel that they continue to bear, and to a friend visiting for the week who forces me to clean the tiles and dust the picture and remember.

djordan
Pine Tree

 

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