Category Archives: reviews

carry on, warrior

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“People hurt the things they fear,” has become for me one of the most haunting lines of Glennon Doyle Melton’s not-so-new book.

And I’ve tried about ten times now to type out how Carry On Warrior has made me exhale so strongly and peacefully over the last week as I’ve been reading it. Her words have been a kind of subversive undertone to everything else I’m seeing and reading as the news unfolds.

Something in me is pushing hard against the rhetoric of hatefulness and fear, of greed and warmongering I hear predominantly from Christians as each day breaks across the globe. Something in me is pushing hard against this fear of neighbor, fear of other, fear of different. Since when did Jesus say kill for my sake, hate for my sake, marginalize for my sake? Something in me is pushing hard through the psuedo-christian noise for voices that speak to something altogether clear, and noble, and lovely, and gracious, and simple and beautiful. I don’t feel the need to kill the person who threatens to kill me; I feel the need for peace. I don’t feel the need to hurt the person who has hurt me; I feel the need to forgive. And I need to know other people feel that need too. And I need to know how to move into that need.

I don’t know how, though.

And Melton doesn’t claim to know how either, but somehow her words in Carry on Warrior actually begin to do it. Honoring a kind of David-like offense to face the giants of anxiety and fear and terrified christian culture, she manages to walk to the middle dropping one piece of heavy armor after the next knowing that it might be her end.

But also knowing that it might be her only chance in hell at an actual beginning.

I’m envious, really. But hopeful. I’m working to lean in to the call to be honest and hospitable when it means standing with those the church is screaming at and setting targets on. I’m working to lean in to the challenge to show up and do my best to return justice for injustice, generosity for stinginess, and even openness for rigidity and fear. It’s infuriating, and then again completely freeing. Something as if from another world altogether.

People harm the things they fear, she says. I’m doing my damnedest to stop being afraid.

djordan
Pine Tree Dr.

To follow her blog, visit momastery.com, and click here to find “Carry On, Warrior.”

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on Rachel Held Evans “Searching for Sunday”

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While finishing Rachel Held Evan’s new “Searching for Sunday” as she begins thanking different friends and people for their contributions to the work of the book, I immediately noticed that my skin was covered in goosebumps. Throughout the book, chapters begin with quotes from other authors, theologians or musicians. In passing each quote, I realized that they were authors who also had joined me on a journey from loving church, to leaving church, to finding church again. Madeleine L’Engle, Nora Gallagher, Frederick Buechner, Walter Brueggeman, Brian McLaren, Anne Lammott, Barbara Brown Taylor, Becca Stevens, and on and on and on. The way the book itself resonated with something in me apparently forgotten was registering more and more understandable as each name graced the pages. A sense of camaraderie was surfacing, like we had all been having these conversations together.

And then in hitting the acknowledgments, a section I’ve come to read in every book as to me it presents a kind of undercover autobiographical picture of the author, she thanked many of these people, referencing food, wine and tables as a common location for their work together on life and ultimately on the living behind this book.

My mind drifted to the last few months in my own life. High expectations met with a deep drop of disappointment and numbing hopelessness that permeated much of my community. It drifted to my travels across the ocean and to the coast, sitting and reading and eating and drinking with friends and family. These are the same friends and family who journeyed with me during a deep love of church. They were with me when I realized for the first of many times that church will be as out of touch and off track as any other group of normal people. They were with me when I couldn’t bare to look church in the face because it was unrecognizable as the body of healing and hope and restoration and justice that I had learned it was supposed to be. They were with me sitting on a living room floor every Sunday night managing crying babies and prayerful questions about what it means to be tiny christs in the world. They were with me when I snuck into the back row of big church for an Easter service because something in my blood wouldn’t let me stay home. And they were with me I said what I swore I would never say again as i committed to a group of people learning together what it means to live as Christ in a world clamoring for us to figure it out.

And were I to be writing a book about loving, leaving, and finding church, I would write in the acknowledgements about all of these people and their tables. Dinner on Greencastle and Harper Cove. Breakfast and mimosas on Mimosa Drive. Happy hour at Picasso’s and Flat Iron and the Fat Cactus. Cheese and whiskey on Smith Dr. and sundowners at Camps Bay. Coke zeros and weird cookies under the rustling thatch looking out toward the Nicaraguan volcanos. These meals and drinks have been peppered with the words of Buechner, L’Engle, Brueggeman, Stevenson, Alexander, Meyers, McLaren. They have been soundtracked with the music of Sara Groves and Josh Garrells and Bono and the Indigo Girls. They have been hemmed in by the wise words of good friends.

And if any of us look carefully enough, there are small stones somewhere in each these places, whether restaurants or rancheros or vineyards, that mark something important. They mark tiny moments of thin space where God was real for just a moment, whether in hopelessness or surprising hope. They mark signs of the kingdom with other people who have been both lost and found. Rachel Held Evans and her people. Me and my people. There are lots of us out there looking for each other in hopes that we can find ourselves. The book was a reminder to keep searching for Sunday.

djordan
Pine Tree Dr.

To find Searching for Sunday, click here. 

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crossing the street to find your way home | thoughts on “the hundred-foot journey”

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Our greatest fear, of course, is that we might be viewed as in some way similar to the “them” to our “us”. We’ve worked desperately for centuries now at defining clearly and bloodily who we are with and with whom we are not. Who we are like and who we are not like. And when the “us” and “them” becomes less theoretical and more the new next-door neighbor, less conversation and more colleague, less hypothetical and more here-and-now, we find our heart-pounding pulse and back-of-the-neck skin overrun with the fast-beating terror that there is no longer enough space between us and them.

In terror and anxiety, thus in our most not-yet moments, we move on anxieties and insist certain actions that involve thinking, moving and working in ways which keep the lines clear, humans separated, and enemies inhumane are needed. We have to keep the peace by keeping the road as clear barrier between our home and theirs, and the hundred-foot journey in between.  

But once in a while, perhaps because we have a kind of holy blood in us because we are human, we can’t help ourselves. We cross the street, take one-hundred steps, (counted in fury and scheming at one point and now counted in calm humility and prayerfulness), and appear at the front door of the other, the non-separate, the human beings across the street. The front door of his home, bearing witness to his family and their dreams, their hopes, their stories, their legacies, their fears, their burdens and their dirty spots. We appear at the front door, newly-terrified and deeply-anxious, but already too far across the street, already there, already one-hundred steps too many in to turn around.

So we meet our neighbors. We learn their names. We hear their stories. We sing their songs. We sit at their tables and we eat their meals. 

And absent-minded of our terror and anxiety, we realize that in traveling the distance we have found our neighbors, in making the journey we have found our place, and in crossing the street we have made our way home. 

We pray that our new neighbors would move in, and that we would cross the street to find ourselves. As we are bold to pray for terrifying things because we’ve been taught to do it, teach us what it means to come home in your kingdom. 

djordan
Pine Tree

Don’t miss The Hundred-Foot Journey on the big screen. If you miss it, you’ll regret it…and so will your neighborhood. 

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gracefully critical

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Recently on vacation, the most stressful part of planning for the trip was not packing, arranging the house details, getting work squared away; the most stressful preparation was choosing which books to take when I knew I would have a week of incredible views, delicious food, and nothing to rush for other than finding a place to sit and read.

I had been saving Becca Steven’s new book, Snake Oil: The Art of Healing and Truth Telling, for the trip and it definitely did not let me down.

The book’s author, an Episcopal priest on Vanderbilt’s campus, founded Magdalene, a residential program for women who have survived lives of prostitution, trafficking, addiction and life on the streets, in 1997. From this work and the reality that getting clean and off the streets isn’t enough to support a new and whole life, she and the community around her began Thistle Farms, a social enterprise run from top to bottom by members of the Magdalene community, and involves making oils, candles, paper and more from the highway-found, stubbornly resilient and ultimately delicate thistle. As the women work in vats of oils and in meetings of scent-testing or tubs of paper-making, they are both creating an income, adding quality products to the market and community, and telling a story of healing and hope through the thistle.

Already a fan of Stevens after hearing her speak a few years ago, and following the work and even more so the spirit of the work at Magdalene and Thistle Farms, I’ve learned much about the nitty-gritty of what it means when Stevens says, “It takes a community to put a woman on the street, and it will take a community to bring her home.”

In our work at Area Relief here in Jackson, it’s that push for working to see the delicate beauty in what others have overlooked as weeds that is at the core of who we are. We aren’t great at it, as we often look at ourselves as much as those around us, as wasted and useless. But once we begin to work in the grace and hopefulness that whispers of the kingdom add to any story, we begin to find that we are becoming a part of healing community, seeing others healed as well as ourselves.

What struck me the most when reading Steven’s book was her uncanny ability to be gracefully critical. It is no butterfly and sunshine story of human trafficking, abuse, molestation, drug addiction, fundraising, second-guessing, and ultimately losing many battles to drugs and sex and objectification. It is no easy work no matter how ethereal our ways of speaking. There are power players to be called out, habits to be carefully questioned, ways of operating to completely burned up. And yet Stevens manages to tell the truth about all these issues in ways that lead the reader to want to be more hopeful, more loving, more compassionate, more trusting, more free in the promise of kingdom come.

The hard work of seeking first the kingdom is not child’s play, and yet we’ve been charged to work at it as a child. Truth-telling and healing all at the same. Silence in the face of injustice is not God-honoring, but neither is pessimistic cynicism. Stevens’ work is a strong and beautiful reminder that the kingdom comes through the action following graceful criticism.

And the kingdom does come.

djordan
Juneau, AK

To order the book, CLICK HERE.
To learn about Thistle Farms, CLICK HERE.

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all the implications

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This video has been on my brain since I first saw in when it came out a few days ago on February 19.

Yes, it’s about bullying, but it’s about a great deal more.

It’s about the impact of little things.
It’s about our own assumptions under which we bury others.
It’s about how art is redemptive and makes beauty of tragedy.
It’s about shared stories that crash into shared reality after being hidden for so long.
It’s about all the implications of all the things we find ourselves doing, thinking, saying, being,
both horrendously good and remarkably evil.
It’s about the bothness in all of us.
Our Cain and our Abel.
It’s about telling the truth.

This is good. You wont regret the time.

djordan
Summar Dr.

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this side of history | on watching “Lincoln”

abraham lincoln

it’s one thing to sit with a huge twenty-dollar coke
watching the story unfold on the big screen
making decisions pretending like we don’t know how the story goes.

of course, i would vote for the thirteenth amendment.
i’d be a monster otherwise.
i know it has to do with money.
i know it has to do with the economy as we know it.
i know we don’t know how to move forward without slavery.
but, i’m a good enough person to know that i’m in favor of it.

i think to myself, eating popcorn,
watching the story, ending already known, unfolding on the screen.

and I think about the stories unfolding right now
the stories in congress
the stories in the courts
the stories in the projects
the stories in the suburbs
the stories in the churches
the stories in the living rooms
the stories in the villages
the stories in the high-rises
the stories unfolding right now

across not only this city
across not only this nation
but all over the globe

and i wonder,
as i eat my popcorn and drink my twenty-dollar drink,
do I have it in me
to stand for justice
to take the risk
to make the jump

when i have no idea what it will mean about money
when i have no idea what it will mean about the economy as we know it
when i have no idea what it will mean about how to move forward
when i have no idea what it will mean

but, on this side of history,
where will i be standing
one hundred and fifty years from now
when people will be eating popcorn
imagining what they would have done
had they been me.

may we be courageous.

djordan
Pine Tree

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thanks, London.

I feel an increasing struggle as to what it means to be who we have each been called to be, but only in the context of a grander story, the story of the world, and even bigger than that, the story of God and what he has been all along and is now doing in the world.

It’s a struggle worth increasing struggle.

In London’s closing ceremony, all the pieces made the whole. All the pieces, faces, names, styles, dances, artists made a fascinating whole. They, with the opening ceremonies, told a story of the global mark made by individuals, groups, artists, authors, doctors, and stories. There were videos, moving sculptures, light shows…each only briefly, artistically, dramatically and perfectly making their entrance, momentary dance, and exit from the stage.

In sharp contrast to the awe-inspiring show of Beijing’s ceremonies, the spectacle was made in different ways. Beijing had the lights and the smoke and the choreography and the music, but no names, no celebrated players, no celebrated individuals making celebrated marks. A show can be made without characters, but a story cannot be told. Something no doubt was missing. But the celebration of only individuals, often our problem in the West, leaves a similar emptiness.

But a single story told by the voices of many characters… One story of humanity trying its best, with glimpses and mumblings––like the olympics––to tell a single story well together. A story of individuals making marks on a bigger storyline being written of what God is doing in and for and with the world.

Till kingdom comes.

Thanks, London.

djordan
Pine Tree

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once upon every time

It’s as much of once upon every time as it is has ever been once upon a time.

Power and ambition kill. Others first, ourselves finally.
Humility and selflessness kill. Ourselves first, evil and injustice finally.

Having just returned from Snow White and the Huntsman, I found myself reeling throughout the whole thing, and even still.

The first words were, of course, voiced over in thick accent…

“Once upon a time…”

But it is once upon this time. And once upon a time a year ago today. And once upon every time.

The storytellers have tried to make it clear for ages upon ages and times upon times,

But we have to learn it again for ourselves once upon our times, and sometimes more than once.

All that is in us tells us to fight with might to protect our own.
But fighting with might to protect our own,

fighting with educations, investments, gates, codes, doctrines, prejudices, words, wars,
fighting with might to protect our own leads to a slow unraveling.

But fighting that actually protects is a byproduct of other pursuits.

a byproduct of seeking the good of others,
of giving up on great ambitions,
of investing for the sake of the lives of others rather that for the protection of ourselves against others, of opening gates, sharing codes, listening to the doctrines of others,
knowing before judging,
listening,
serving,
fighting with humility and selflessness, not with great ambitions of winning,
but simply because we can’t imagine not fighting for whatever things are

true
good
just
lovely
honest

And then, in the end, of course, just as the story begins with once upon a time, it finishes with…

But alas, we have never been known, in life outside the tales spun by fairies, as patient enough to wait for the ever after.

As if we’ve ever had a choice.

djordan
Pine Tree

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like fish laid out on the grass | Fahrenheit 451

She made us read it our junior and senior years of high school, Mrs. Kee did. Fahrenheit 451 was one of many other classics that were required of our reading, so we read them like we were supposed to and came up with whatever answers we thought would get us the grade we needed.

And then the book went on the shelves afterward like all the old classics did. This classic from circa 1950, and already forgotten by 2002…much less by 2012.

But ten years later, noticed on those center sections in the bookstores where we pretend we know what we are looking for, I spotted it among the list of high school summer reading. And with Mrs. Kee on my mind these last several months for some reason, I bought the book and read it the whole road trip there and back.

“…hold onto one thought: You’re not important. You’re not anything. Some day the load we’re carrying with us may help someone. But even when we had the books on hand, a long time ago, we didn’t use what we got out of them. We went right on insulting the dead. We went right on spitting in the graves of all the poor ones who died before us…” 

My biggest notion the entire time I reread this high school assignment was how ignorant we all were as we were asked to read this incredibly important work. And even still, ten years later as I began hearing about “recommended reading lists” and “don’t read lists” and “ask these questions” and “here are your answers” and “too much information will just confuse them” and “only one percent could ever  understand” and “just give them something to hang their hats on” being phrases tossed about as if common leadership protocol, the reason Mrs. Kee assigned the book in the first place became all the more important.

And so did picking it up again ten years later.

The book describes a world of the future, written in the 1950s lest we forget, where entire walls of living rooms were taken up with TV screens and “reality” programming. Earbud headphones were commonplace and firemen burned down houses with intellectual contraband instead of putting out fires.

And a ragtag group huddled in the woods, whose ideas had put them on the street, who reminded each other…

“…hold onto one thought: You’re not important. You’re not anything. Some day the load we’re carrying with us may help someone. But even when we had the books on hand, a long time ago, we didn’t use what we got out of them…”

I think remembering this book, buried deep in the places we bury most of what we value when we are young––where we bury what it is about encouraging dissent, opinions, opposing views, challenges, diversity, thoughtfulness and disagreement––it is in remembering that the importance of continuing to evaluate the voices we have decided have no value, have no right, are better shut out…it is in noticing what those voices are and what we are afraid of in them that I can follow Bradbury’s words.

And Mrs. Kee’s words.

And the words of those who have come before us, and who have learned before us, the danger is silencing those who speak in opposition of us.

It is in the dialogue that the truth is always found.

djordan
Pine Tree

RELATED POSTS | Extremely Loud and Incredibly Close | Real Life Fiction | Narrowing the Voices

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closing the book | Extremely Loud and Incredibly Close

I cannot remember the last time I’ve fallen so deeply into a novel. I’ve said for many years that I’m not grown up enough to read fiction, so I mostly stick with memoirs and textbooks.

After finishing Foer’s “Extremely Loud and Incredibly Close,” I’m sticking to my guns and saying I’m not grown up enough for fiction,

but that it is surely time for me to start growing up.

A better summary can be found HERE, but in a single swipe of great injustice, I’ll try: it’s a story of a young boy whose father was killed in the 9/11 attacks. It is his parallel journeys through finding a lock that a mysterious key of his father’s opens, and through a child’s honest and sharp grief of losing a father on “the worst day ever.” I often found myself with tears about to break, just after a laugh would suddenly erupt. I felt more human while reading than I’ve felt in a very long time.

What I noticed the most were the dozen times that I would find myself shielding my eyes from the upcoming lines, often closing the book in the middle of a conversation, an argument in motion, a story in telling, a memory in recollection.

I knew I wasn’t ready for it.

I knew I couldn’t bear to go on. Yet.

So I shut the book; I looked around to wonder why no one else was as worried about the impending outcome as me. And then finally, after the not-knowing would outweigh the not-wanting-to-know, I would flip the book back open, hold my breath, and …

***

I read books and journal articles constantly about clinical and community work because I want to do justice with the beyond-generous people who offer me their beyond-personal stories as we look to do hopeful and honest work together in therapy.

But I’ve never closed a text on grief and grieving because I couldn’t bare to read what came next. My heart doesn’t bleed out onto the pages of an article about responses of communities to children who lost parents on September 11. A text can name and normalize complex emotions, but the voice in a well-written novel can make me feel it.

Make me feel it so much that I have to close the story and catch my breath.

And you can close the book and catch your breath until you know that you must find out what happens in a novel. And precisely in those closed-book moments, I think we are being honest with ourselves, and the teller of the story––and ourselves when we are the teller of the story––honest in that we simply can’t bare it anymore, and we must take a breather if we are to remain human. The thickness of our humanity is often more than even we can tell or hear or feel about.

Textbooks make it clean. Novels make it raw. Living voices make it true.

So we have to do whatever it takes to finish hearing the stories.

The stories of poverty.

Of abuse.

Of abused power.

Of arrogant leadership.

Of selfless givingship.

Of painful loss.

Of ridiculous loss.

Of silent suffering.

Of resilient sufferers.

Of global conflict.

Of über-local conflict.

Of the conversations and stories of the flesh-and-blood people who are acting in those roles as antagonist and protagonist and an(pro)tagonist.

If it takes closing the book for a few moments to catch our breath before we say, “Go on. If you have to tell, I have to know…”

***

I’m a better person for feeling what the book invited me to feel. I’m sure I’ll keep reading textbooks and articles, but it’s time for me to grow up into a deeper humanity and brave the world of fiction for all that it can help me see and feel. For all that it can help me hear. And then listen to.

It feels necessary as part of living and leaning into the kingdom.

Even if it takes closing the book multiple times over to catch my breath before losing it again.

djordan
Cape Town, South Africa

RELATED POSTS | Fahrenheit 451 and Mrs. Kee | Narrowing the Voices

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